LOEWE Spring 2019

The brutalist hedonism of the collection presents a natural addition to the runway's simulation of the infamous mid-century experimental London gallery SIGNALS. Think raw exotic leathers, tent volumes and wild ostrich feathers as models cross in and out of a series of restored rooms courtesy of the Maison de L'UNESCO in Paris - each hosting a unique sensory experience. Lara Favaretto's spinning car wash brushes provide a flurry of movement in one room, while a symphony of record players cradle Ryoji Koie ceramics in another. In the middle of Paris, Jonathan Anderson has transported us to a 1960's London (once the epicenter of the modern spirit) where he, himself, is one of the avant-garde artists who dream of changing the world, and this Spring 2019 collection is the art with which he is going to do it.